Buying guide
Best Soft Pastels for Beginners: 10 Sets for Drawing and Blending
- Written byYumi Ang
- Published

Our recommendation
For a manageable first artist-range palette, start with Rembrandt General Selection 30 Half Pastels. Choose Faber-Castell Creative Studio 24 for a smaller introduction, Mont Marte Signature 24 if you want a compact tin, or Unison Landscape 16 if scenery is your focus. These are research-based selections, not hands-on test winners.
Quick picks
- First artist-range paletteRembrandt General Selection 30 Half Pastels (opens Amazon in a new tab)
Rembrandt
- Small-box explorationFaber-Castell Creative Studio 24 Half-Length Soft Pastels (opens Amazon in a new tab)
Faber-Castell
- Compact tin storageMont Marte Signature Soft Pastels 24-Piece Tin (opens Amazon in a new tab)
Mont Marte
- Small landscape paletteUnison Colour Landscape 16 Half-Stick Soft Pastels (opens Amazon in a new tab)
Unison Colour
Top recommendations
- 1Rembrandt General Selection 30 Half PastelsA manageable general selection for learning color relationships without starting with a huge box.
- 2Faber-Castell Creative Studio 24 Half-Length Soft PastelsA compact 24-color introduction for deciding whether powdery pastel drawing suits you.
- 3Mungyo 64-Color Square Soft PastelsA 64-color square-stick assortment for exploring hues and broad side-of-stick marks.
- 4Mont Marte Signature Soft Pastels 24-Piece TinA 24-piece Signature assortment for a small creative desk with a dedicated storage box.
- 5Mont Marte Signature Soft Pastels 48-Piece TinThe Signature 48-piece tin for hobbyists who prefer more ready-made color choices.
- 6Faber-Castell Creative Studio 72 Half-Length Soft PastelsA broad Creative Studio assortment for learners who enjoy organized swatch charts.
- 7Rembrandt Deluxe General Selection 60 Half PastelsA 60-half-stick general assortment for committed beginners who want more color options.
- 8Sennelier Extra Soft 40 Assorted Half PastelsThe 40 assorted half-pastel set for learning restrained touches and soft color passages.
- 9Jack Richeson Hand Rolled Vibrant 20 Soft PastelsA focused 20-stick vibrant assortment to complement quieter colors.
- 10Unison Colour Landscape 16 Half-Stick Soft PastelsA 16-half-stick landscape selection for learners with a clear subject in mind.
Product comparison
| Product | Best for | Watch out | Price & shop |
|---|---|---|---|
| Rembrandt General Selection 30 Half Pastels (opens Amazon in a new tab)Rembrandt Research-based review | First artist-range palette | Half sticks give you less material per color than full sticks. A general assortment will still need additions if your work repeatedly calls for closely spaced skin tones or greens. | |
| Faber-Castell Creative Studio 24 Half-Length Soft Pastels (opens Amazon in a new tab)Faber-Castell Research-based review | Small-box exploration | The short sticks provide a smaller grip and less material than full sticks. Creative Studio pastels do not have individual lightfastness ratings in the manufacturer FAQ, so do not assume archival performance. | |
| Mungyo 64-Color Square Soft Pastels (opens Amazon in a new tab)Mungyo Research-based review | Broad square-stick practice palette | Sixty-four colors can obscure the more useful beginner skill of seeing light and dark. This entry does not establish an individual pigment or lightfastness rating for each color. | |
| Mont Marte Signature Soft Pastels 24-Piece Tin (opens Amazon in a new tab)Mont Marte Research-based review | Compact tin storage | A tin does not prevent sticks from breaking if they move around inside. Twenty-four colors also leave fewer ready-made intermediate shades than the larger Signature assortment. | |
| Mont Marte Signature Soft Pastels 48-Piece Tin (opens Amazon in a new tab)Mont Marte Research-based review | Larger tin assortment | The larger palette takes more sorting and may duplicate colors you already own. The tin is a storage convenience rather than evidence of impact protection. | |
| Faber-Castell Creative Studio 72 Half-Length Soft Pastels (opens Amazon in a new tab)Faber-Castell Research-based review | Many hues in half-stick form | More colors do not establish better pigment quality or permanence than the smaller Creative Studio box. Short sticks and the lack of individual lightfastness ratings remain relevant limitations. | |
| Rembrandt Deluxe General Selection 60 Half Pastels (opens Amazon in a new tab)Rembrandt Research-based review | Expanding a general palette | This is a substantial starting assortment if you are unsure whether you like dry pastel. It can overlap with an existing Rembrandt set, and half sticks still have limited material per color. | |
| Sennelier Extra Soft 40 Assorted Half Pastels (opens Amazon in a new tab)Sennelier Research-based review | Extra-soft finishing practice | Extra-soft pastels call for careful handling and light pressure. This listing includes inconsistent generic bullets, so confirm the box says 40 assorted half pastels and dry Pastels à l’Écu rather than oil pastels. | |
| Jack Richeson Hand Rolled Vibrant 20 Soft Pastels (opens Amazon in a new tab)Jack Richeson Research-based review | Vibrant color studies | A vibrant assortment is less versatile than a general selection for subdued subjects. Do not confuse Vibrant 20 with the brand’s other 20-stick color groups. | |
| Unison Colour Landscape 16 Half-Stick Soft Pastels (opens Amazon in a new tab)Unison Colour Research-based review | Small landscape palette | Sixteen landscape colors are intentionally limited. Unison displays a CL caution label for this set, so read the specific handling instructions and do not treat it as a children’s craft supply. |
Selection and testing methodology
Research-based selection, checked October 9, 2026. We compared manufacturer descriptions, exact set contents, stick formats and intended subjects, then inspected the matching Amazon.com detail pages, selected variants, ordering availability and direct product images. We have not physically tested these sets or scored blending, dust, breakage or lightfastness. Availability can change. The ten sets represent different use cases, not a laboratory ranking; specialist assortments are labeled accordingly. Manufacturer sources and exact listing identifiers are provided below.
Detailed product sections
Rembrandt General Selection 30 Half Pastels (opens Amazon in a new tab)
Rembrandt
A manageable general selection for learning color relationships without starting with a huge box.
Why it fits this guide
Thirty half sticks make this a sensible first artist-range set if you already know you want to learn dry pastel. The general selection is more adaptable than a subject-specific landscape or vibrant assortment. Royal Talens documents the pigment-and-kaolin formulation and identifies the included colors, which helps when planning later additions. Choose it for small still lifes, simple characters and landscape studies; this is an editorial fit assessment, not a claim that we compared its blending in person.
Honest drawback
Half sticks give you less material per color than full sticks. A general assortment will still need additions if your work repeatedly calls for closely spaced skin tones or greens.
Specifications
- 30 half pastels
- General Selection
- Manufacturer lists included color codes
Best forFirst artist-range palette
Pros
- Manageable number of colors
- Documented general-purpose assortment
Cons
- Half-stick quantities
- Not a specialized portrait palette
Faber-Castell Creative Studio 24 Half-Length Soft Pastels (opens Amazon in a new tab)
Faber-Castell
A compact 24-color introduction for deciding whether powdery pastel drawing suits you.
Why it fits this guide
A small box keeps the first session focused on marks, values and layering rather than choosing among dozens of similar colors. Faber-Castell identifies this exact set as 24 half-length sticks and describes blending with fingers, paper wipers or a pastel brush. It suits occasional practice and small drawings. Start with a few colors from the box and save the rest for later studies rather than trying to use every color on the first page.
Honest drawback
The short sticks provide a smaller grip and less material than full sticks. Creative Studio pastels do not have individual lightfastness ratings in the manufacturer FAQ, so do not assume archival performance.
Specifications
- 24 half-length sticks
- Manufacturer item 128224
Best forSmall-box exploration
Pros
- Simple starter selection
- Compact half-stick format
Cons
- Short grip
- No individual lightfastness ratings stated
Mungyo 64-Color Square Soft Pastels (opens Amazon in a new tab)
Mungyo
A 64-color square-stick assortment for exploring hues and broad side-of-stick marks.
Why it fits this guide
Choose this exact 64-color square set when variety matters more than keeping your starting palette small. Square sticks offer corners for lines and sides for wider marks, making the format useful for swatch exercises and blocked-in backgrounds. Mungyo distinguishes its Standard Square Pastels from its other pastel ranges; this recommendation is for the square dry-pastel listing, not an oil-pastel or differently formulated gallery set. Sorting a working handful by value will make the broad assortment less distracting.
Honest drawback
Sixty-four colors can obscure the more useful beginner skill of seeing light and dark. This entry does not establish an individual pigment or lightfastness rating for each color.
Specifications
- 64 colors
- Square dry soft-pastel sticks
Best forBroad square-stick practice palette
Pros
- Many color choices
- Corners and sides offer different marks
Cons
- Large palette for a first lesson
- Individual permanence ratings not established here
Mont Marte Signature Soft Pastels 24-Piece Tin (opens Amazon in a new tab)
Mont Marte
A 24-piece Signature assortment for a small creative desk with a dedicated storage box.
Why it fits this guide
The practical reason to choose this set is the combination of a modest color count and a tin. It gives an occasional pastel learner a defined place to return the sticks after a session. Mont Marte identifies the product as its Signature 24-piece soft pastels in a tin, so keep that range name in mind when comparing listings. Pair it with a small pastel pad and use the box as storage, rather than assuming the metal case makes loose pastels travel-proof.
Honest drawback
A tin does not prevent sticks from breaking if they move around inside. Twenty-four colors also leave fewer ready-made intermediate shades than the larger Signature assortment.
Specifications
- 24 pieces
- Signature range
- Manufacturer item MMPT0017
Best forCompact tin storage
Pros
- Manageable color count
- Included tin for storage
Cons
- Limited intermediate shades
- Still needs careful handling
Mont Marte Signature Soft Pastels 48-Piece Tin (opens Amazon in a new tab)
Mont Marte
The Signature 48-piece tin for hobbyists who prefer more ready-made color choices.
Why it fits this guide
This is the larger Signature option for someone already making regular pastel drawings and wanting more hues in the same kind of storage format. The manufacturer identifies 48 pieces and a tin. Choose it over the 24-piece version because you want a larger palette, not because this research proves a difference in pigment strength or blending quality. Amazon also offers similarly named variants; the linked selection is Signature Multicolor 48, not the Premium assortment.
Honest drawback
The larger palette takes more sorting and may duplicate colors you already own. The tin is a storage convenience rather than evidence of impact protection.
Specifications
- 48 pieces
- Signature range
- Manufacturer item MMPT0030
Best forLarger tin assortment
Pros
- More color choices than the 24-piece set
- Included tin
Cons
- More decisions for a new learner
- Not the similarly named Premium variant
Faber-Castell Creative Studio 72 Half-Length Soft Pastels (opens Amazon in a new tab)
Faber-Castell
A broad Creative Studio assortment for learners who enjoy organized swatch charts.
Why it fits this guide
Seventy-two half-length sticks offer a wide range without requiring seventy-two full sticks. This is a reasonable alternative to the 24-color Creative Studio box for a hobbyist who already enjoys pastel and wants more ready-made hues. The manufacturer identifies the exact 72-stick set and half-length format. Make a labeled swatch chart before starting a drawing, and pull out a limited working palette; the extra colors are options rather than a requirement to use them all.
Honest drawback
More colors do not establish better pigment quality or permanence than the smaller Creative Studio box. Short sticks and the lack of individual lightfastness ratings remain relevant limitations.
Specifications
- 72 half-length sticks
- Manufacturer item 128272
Best forMany hues in half-stick form
Pros
- Broad hue assortment
- Half-stick format
Cons
- Large initial palette
- No individual lightfastness ratings stated
Rembrandt Deluxe General Selection 60 Half Pastels (opens Amazon in a new tab)
Rembrandt
A 60-half-stick general assortment for committed beginners who want more color options.
Why it fits this guide
Choose the Deluxe General Selection when you have moved beyond a trial box and want a broader artist-range assortment for varied subjects. Royal Talens identifies 60 half pastels and publishes the set contents. The larger selection can reduce how often you need to improvise an intermediate hue, but learning values and restrained layering still matters more than owning a bigger box. Compare the manufacturer color list with anything you already have before upgrading.
Honest drawback
This is a substantial starting assortment if you are unsure whether you like dry pastel. It can overlap with an existing Rembrandt set, and half sticks still have limited material per color.
Specifications
- 60 half pastels
- Deluxe General Selection
Best forExpanding a general palette
Pros
- Broad general assortment
- Manufacturer publishes set contents
Cons
- Potential overlap with existing pastels
- More than needed for a first experiment
Sennelier Extra Soft 40 Assorted Half Pastels (opens Amazon in a new tab)
Sennelier
The 40 assorted half-pastel set for learning restrained touches and soft color passages.
Why it fits this guide
Sennelier describes its extra-soft dry pastels as pigment with a natural transparent binder. The 40 assorted half-pastel box is appealing when your priority is exploring this extra-soft range rather than buying a large full-stick collection. Use it as a first set if that feel is specifically what you want to learn, or as an addition for finishing passages. Our recommendation follows the documented range and exact packaging; it does not claim a measured softness ranking against the other sets.
Honest drawback
Extra-soft pastels call for careful handling and light pressure. This listing includes inconsistent generic bullets, so confirm the box says 40 assorted half pastels and dry Pastels à l’Écu rather than oil pastels.
Specifications
- 40 assorted half pastels
- Extra Soft dry-pastel range
- Manufacturer general assortment N132230
Best forExtra-soft finishing practice
Pros
- Access to the extra-soft range
- Half-stick assortment for exploration
Cons
- Careful handling needed
- Check exact packaging because listing bullets conflict
Jack Richeson Hand Rolled Vibrant 20 Soft Pastels (opens Amazon in a new tab)
Jack Richeson
A focused 20-stick vibrant assortment to complement quieter colors.
Why it fits this guide
The manufacturer maps item 422950 to Vibrant 20 in its Color Wheel handrolled range. That makes this a deliberate color-focused choice rather than a general-purpose starter box. It suits bright character backgrounds, flower studies and exercises in pairing saturated colors. If your existing set feels limited in vivid hues, this can be a useful addition; if you are buying your only pastel set, inspect the pictured colors against the light, middle and dark values your planned subjects need.
Honest drawback
A vibrant assortment is less versatile than a general selection for subdued subjects. Do not confuse Vibrant 20 with the brand’s other 20-stick color groups.
Specifications
- 20 handrolled pastels
- Vibrant selection
- Manufacturer item 422950
Best forVibrant color studies
Pros
- Focused vivid-color selection
- Exact assortment documented by maker
Cons
- Specialist rather than general palette
- Other Color Wheel assortments look similar
Unison Colour Landscape 16 Half-Stick Soft Pastels (opens Amazon in a new tab)
Unison Colour
A 16-half-stick landscape selection for learners with a clear subject in mind.
Why it fits this guide
Unison describes this exact landscape set as 16 half sticks and positions it for beginners exploring pastel. Its smaller, subject-led palette is useful if you want to practice skies, land and simple scenic compositions instead of collecting a broad rainbow first. The maker identifies the pastels as handmade in the UK. Choose it for its landscape focus; it is less logical as a first box for bright character illustration or a wide mix of portrait and floral subjects.
Honest drawback
Sixteen landscape colors are intentionally limited. Unison displays a CL caution label for this set, so read the specific handling instructions and do not treat it as a children’s craft supply.
Specifications
- 16 half sticks
- Landscape selection
- Manufacturer identifies UK handmade production
Best forSmall landscape palette
Pros
- Focused subject palette
- Small assortment encourages selective choices
Cons
- Limited for unrelated subjects
- CL caution label requires attention
How to choose
- Start with 16–30 colors if you want fewer decisions; choose a larger assortment only when additional hues serve your subjects.
- Check for dry soft pastels. Oil pastels and pencils are different materials, even when a listing uses similar names.
- Compare half sticks with full sticks, and square with rounded formats. Color count alone does not describe the quantity or grip.
- Choose pastel paper with tooth and reserve some of your supply budget for it. A bigger pastel box will not solve unsuitable paper.
- Read exact product labels and permanence information; an artist-range name or broad non-toxic claim is not a substitute for color-specific documentation.
Common mistakes
- Buying several large boxes before learning with a limited palette.
- Pressing hard or blending every layer until the paper no longer accepts useful marks.
- Blowing loose pastel dust into the air instead of containing and carefully removing it.
- Assuming a tin prevents breakage or that a high color count means archival pigments.
- Selecting an oil-pastel or alternate color assortment from a similarly named Amazon variant.
What makes a soft pastel set beginner-friendly?
A helpful first box gives you enough colors to make a small drawing while leaving room to learn the material. The pastel needs a suitable surface, a light touch and a way to contain its loose dust. None of those improves automatically when a box grows from 24 colors to 72.
For a general introduction, choose a balanced assortment and plan a few small pictures. For a specific interest, a narrower palette can be more useful: Unison Landscape 16 is aimed at scenery, while Richeson Vibrant 20 is a color-focused addition. These specialist sets are included as alternatives, not as universal replacements for the general selections.
The illustrated featured image is an original conceptual illustration. The individual product sections use images of the exact recommended sets; neither is evidence of hands-on testing.
Dry soft pastels, oil pastels and pastel pencils
Dry soft pastels leave a powdery color layer that can be moved and softened on the paper. Oil pastels use a different binder and create a waxier mark. A soft-pastel tutorial is therefore a poor reason to buy an oil-pastel box, even if the colors look appealing. All ten recommendations here are dry pastels.
Pastel pencils are another option when a pencil grip and narrow point matter, but they are not the same format as these sticks. A stick’s side is useful for blocking in a background; a corner or edge can establish a smaller shape. For tiny eyes and facial features in kawaii art, consider whether a separate detail tool would suit you better than forcing a broad stick to act like a fine pen.
If you want tidy, controlled drawing with much less loose powder, see our colored pencils for drawing and sketching guide. Choosing a different medium can be more useful than buying a larger pastel collection.
Choose paper before adding more colors
Paper tooth is the texture that holds the pastel. Very smooth paper may accept a mark but offer little room for additional layers. Start with a small pad labeled for pastel and use the same sheet type for your first swatches and practice drawings. That makes it easier to understand what the sticks do without also changing the surface every time.
A textured pastel paper and a sanded pastel surface can feel quite different. A coarse surface may use material quickly; a gentler texture may suit a first experiment. Follow the paper maker’s guidance and try a small quantity before buying a large supply. This guide does not compare or recommend a particular paper brand.
Cream or muted mid-tone paper can give a small landscape or cute character drawing a softer starting atmosphere. Leave some paper showing instead of filling every area immediately. If you plan to add another medium for outlines, try the combination on a scrap before using it on a finished drawing.
A simple first-session plan
You can learn more from three small studies than from filling a large page with every color in the box. Keep the selected sticks beside you and return the rest to their tray.
- Make a swatch chart. Give each selected color a light-pressure mark and a denser mark. Label it using the stick or box identifier where available. The printed packaging color is a guide, not a substitute for seeing the actual mark on your paper.
- Draw a three-value shape. Choose a light, a middle and a dark color. Make a rounded cloud, bear head or simple hill. Keep the major shapes separate so you can judge the value structure before blending.
- Practice one transition. Place two colors next to each other and gently soften only the boundary with a tool suitable for the product. Compare that with an unblended boundary. The useful question is whether the edge suits the drawing, not whether every mark can disappear.
Use light pressure at first. If an area no longer accepts another useful mark, stop working that spot and try a new study with fewer layers. Adding more rubbing and pressure can make it harder to see what went wrong.
For a cute landscape, try a pale sky, a middle-value hill and a darker foreground shape. Add the character after the main background shapes are established, then keep the face simple. A convincing light-and-dark structure can make a small palette feel more versatile than a page full of unrelated hues.
Blending without losing the drawing
Blending is one option, not the default finish for every passage. Broad skies may benefit from a softened transition, while a leaf edge or a character silhouette may need to stay crisp. Alternate quiet areas with visible pastel marks so the drawing keeps some texture.
Use clean blending tools and avoid carrying dark pigment into a light area. Faber-Castell lists fingers, paper wipers and a pastel brush as blending options for its Creative Studio range; follow the specific product’s handling guidance if using skin contact. A dedicated tool is a practical alternative. Do not assume that all pigments share the same handling requirements.
Softness labels describe ranges but do not settle how two sets will feel on your paper. We did not perform a side-by-side blending test. Start with one box, learn its response and add another range only when you have a clear reason, such as a different palette or a particular finishing approach.
Keep the desk, labels and finished work in order
This is an adult art-supply guide. Read the labels on the exact box and sticks, including any color-specific cautions. Unison’s Landscape 16 page displays a CL caution label; the Richeson maker page also includes a warning. A broad marketing phrase such as “non-toxic” should not replace those instructions or be treated as permission to use an artist set with young children.
Set up a designated work area, keep food and drinks away, and avoid blowing pastel dust into the room. Follow manufacturer guidance for dust containment and cleanup. Return loose fragments to labeled compartments rather than leaving them on a shared family table. If the handling requirements do not fit your home or hobby routine, consider a less dusty medium.
Keep sticks in their original compartments or a suitable padded storage arrangement. A tin helps organize the set but does not make brittle sticks immune to knocks. Save packaging and color charts so you can identify the range and replace useful colors later where the manufacturer offers them separately.
Finished pastel work can smudge. Protect its surface from direct contact and follow appropriate mounting or framing guidance. If you choose to use a fixative, follow the aerosol label and first try it on a separate sample; do not assume it will leave every color and surface appearance unchanged. Fixative is optional, and no aerosol product is recommended here.
Sources and exact sets checked
Manufacturer pages support the formats and range descriptions below. Amazon.com availability and matching product images were checked on October 9, 2026; stock, sellers and delivery vary afterward. Purchase buttons in the product sections lead to the exact US detail pages through our affiliate components. We do not store live prices or assign review scores.
- Rembrandt General Selection 30 Half Pastels — manufacturer information; Amazon US listing identifier
B0014ZUFQ4. - Faber-Castell Creative Studio 24 Half-Length Soft Pastels — manufacturer information; Amazon US listing identifier
B000OMMN4A. - Mungyo 64-Color Square Soft Pastels — manufacturer information; Amazon US listing identifier
B01HFJJLNU. - Mont Marte Signature Soft Pastels 24-Piece Tin — manufacturer information; Amazon US listing identifier
B09MS5G25H. - Mont Marte Signature Soft Pastels 48-Piece Tin — manufacturer information; Amazon US listing identifier
B09MS55FVG. - Faber-Castell Creative Studio 72 Half-Length Soft Pastels — manufacturer information; Amazon US listing identifier
B000I5MNNO. - Rembrandt Deluxe General Selection 60 Half Pastels — manufacturer information; Amazon US listing identifier
B0014ZR1AC. - Sennelier Extra Soft 40 Assorted Half Pastels — manufacturer information; Amazon US listing identifier
B07RY9KZ79. - Jack Richeson Hand Rolled Vibrant 20 Soft Pastels — manufacturer information; Amazon US listing identifier
B073DR1WHR. - Unison Colour Landscape 16 Half-Stick Soft Pastels — manufacturer information; Amazon US listing identifier
B072N3J7V9.
For Sennelier, some Amazon bullets mix in oil-pastel language and a no-binder claim. We used the pictured 40 assorted half-pastel packaging, the dry-pastel product description and the manufacturer’s general-set reference instead; the manufacturer describes a natural binder. Check that exact packaging when ordering. For Mont Marte, the selected 48-piece set is Signature, not the similarly named Premium variant.
Our editorial policy explains how research-based recommendations differ from personally tested reviews. This guide makes no claim about measured blending quality, comparative dust levels, personal durability experience or the archival performance of an entire set.
FAQ
How many soft pastel colors does a beginner need?
A 16–30-color set is a practical starting range if it covers your subject and includes useful light, middle and dark values. Larger sets offer more ready-made hues but are not essential for learning marks and blending.
Are soft pastels the same as oil pastels?
No. This guide covers dry soft pastels with a powdery deposit. Oil pastels have an oil-and-wax binder and behave differently. Check the exact packaging rather than relying on a listing title alone.
Are half sticks a good choice for beginners?
Yes, when you want several colors without buying full sticks of each. The compromise is a shorter grip and less material per color. They are useful for small studies and trying a range before expanding.
Can I use ordinary printer paper?
It is possible to make marks, but smooth printer paper offers little tooth for layering. A paper labeled for pastel is a more useful starting surface. Try a small pad before committing to a large pack.
Is this a list of child-safe pastel sets?
No. These recommendations are for adult hobbyists, and product-specific labels take priority. Some artist pastels carry caution statements. For a child, choose supplies explicitly labeled for that age and activity rather than assuming artist pastels are suitable.
Final recommendation
Choose one set and suitable paper rather than buying several overlapping palettes. Rembrandt 30 is our general artist-range starting point; Faber-Castell 24 keeps the trial small, and Mont Marte Signature 24 adds tin storage. Unison Landscape 16 and Richeson Vibrant 20 make sense when their focused colors match your subjects. Spend the first sessions on swatches, light pressure and clear values before expanding.
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